Dating non-artists

So my tips for dating an artist is apparently very popular (at least as far as Artists take a lot of special consideration, but there's no reason an.
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And these scenarios play out in vivid, horrible detail over and over until I want to scream. Communication is a must. You have to talk about them. Get them out of your head and out in the open where they can be burned by the sun. I have a thing for fire. Talk to them about it. Help them understand why you do what you do. Where will this go? Is it just a hobby or something more? If you want to make a living at your art, learn the business and lay it out for your partner.

Show them where it can lead.

Chinese art - Wikipedia

Why you have to stay up that extra hour to get things just right. Let them feel your passion. They think they have something to gain from your craft. Fame, contacts, money, whatever. These people will not make you happy. Unfortunately, there are laws against using fire against people, but you can at least distance yourself and use that awesome imagination to imagine them on fire. Let them take you outside. But my point is, go on dates, stare dreamily into each others eyes, play Halo or Borderlands or Call of Duty or whatever together, go for hikes, go swimming, float the river, be inspired.

Because, you see, relationships need to be nurtured. You need to spend time together, grow together. But you also need inspiration. Watch people and things and see sunsets and the stars. You need to focus on your craft so you will have to lock yourself in a room for an hour or two. Now, having said that…. He wrote, "In figure paintings the clothes and the appearances were not very important.

The eyes were the spirit and the decisive factor. There are other examples of Jin dynasty painting from tombs. This includes the Seven Sages of the Bamboo Grove, painted on a brick wall of a tomb located near modern Nanjing and now found in the Shaanxi Provincial Museum. Each of the figures are labeled and shown either drinking, writing, or playing a musical instrument.

Other tomb paintings also depict scenes of daily life, such as men plowing fields with teams of oxen. Northern Wei wall murals and painted figurines from the Yungang Grottoes , dated 5th to 6th centuries. A scene of two horseback riders from a wall painting in the tomb of Lou Rui at Taiyuan , Shanxi, Northern Qi dynasty — Following a transition under the Sui dynasty , Buddhist sculpture of the Tang evolved towards a markedly lifelike expression.

As a consequence of the dynasty's openness to foreign trade and influences through the Silk Road , Tang dynasty Buddhist sculpture assumed a rather classical form, inspired by the Greco-Buddhist art of Central Asia. However, foreign influences came to be negatively perceived towards the end of the Tang dynasty. In the year , the Tang emperor Wu-Tsung outlawed all "foreign" religions including Christian Nestorianism , Zoroastrianism and Buddhism in order to support the indigenous Taoism.

He confiscated Buddhist possessions and forced the faith to go underground, therefore affecting the ulterior development of the religion and its arts in China. Glazed or painted earthenware Tang dynasty tomb figures are famous, and well-represented in museums around the world. Most wooden Tang sculptures have not survived, though representations of the Tang international style can still be seen in Nara , Japan. The longevity of stone sculpture has proved much greater. Beginning in the Tang dynasty — , the primary subject matter of painting was the landscape, known as shanshui mountain water painting.

In these landscapes, usually monochromatic and sparse, the purpose was not to reproduce exactly the appearance of nature but rather to grasp an emotion or atmosphere so as to catch the "rhythm" of nature. Painting in the traditional style involved essentially the same techniques as calligraphy and was done with a brush dipped in black or colored ink; oils were not used.

As with calligraphy, the most popular materials on which paintings were made were paper and silk. The finished works were then mounted on scrolls, which could be hung or rolled up.


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Traditional painting was also done in albums, on walls, lacquer work, and in other media. Dong Yuan was an active painter in the Southern Tang Kingdom. He was known for both figure and landscape paintings, and exemplified the elegant style which would become the standard for brush painting in China over the next years. As with many artists in China, his profession was as an official where he studied the existing styles of Li Sixun and Wang Wei. However, he added to the number of techniques, including more sophisticated perspective, use of pointillism and crosshatching to build up vivid effect.

Zhan Ziqian was a painter during the Sui dynasty. His only painting in existence is Strolling About In Spring arranged mountains perspectively. Because pure landscape paintings are hardly seen in Europe until the 17th century, Strolling About In Spring may well be the world's first landscape painting.

During the Song dynasty — , landscapes of more subtle expression appeared; immeasurable distances were conveyed through the use of blurred outlines, mountain contours disappearing into the mist, and impressionistic treatment of natural phenomena. Emphasis was placed on the spiritual qualities of the painting and on the ability of the artist to reveal the inner harmony of man and nature, as perceived according to Taoist and Buddhist concepts. Liang Kai was a Chinese painter who lived in the 13th century Song dynasty.

He called himself "Madman Liang", and he spent his life drinking and painting.

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Eventually, he retired and became a Zen monk. Liang is credited with inventing the Zen school of Chinese art. Wen Tong was a painter who lived in the 11th century. He was famous for ink paintings of bamboo. He could hold two brushes in one hand and paint two different distanced bamboos simultaneously. He did not need to see the bamboo while he painted them because he had seen a lot of them. Zhang Zeduan was a notable painter for his horizontal Along the River During Qingming Festival landscape and cityscape painting. It has been quoted as "China's Mona Lisa " and has had many well-known remakes throughout Chinese history.

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This is a large horizontal handscroll of a domestic scene showing men of the gentry class being entertained by musicians and dancers while enjoying food, beverage, and wash basins provided by maidservants. In , the modern artist Wang Qingsong created a parody of this painting with a long, horizontal photograph of people in modern clothing making similar facial expressions, poses, and hand gestures as the original painting.

Song dynasty ding-ware porcelain bottle with iron pigment under a transparent colorless glaze, 11th century. With the fall of the Song dynasty in , and the subsequent dislocation caused by the establishment of the Yuan dynasty by the Mongol conquerors, many court and literary artists retreated from social life, and returned to nature, through landscape paintings, and by renewing the "blue and green" style of the Tang era.

Wang Meng was one such painter, and one of his most famous works is the Forest Grotto. Zhao Mengfu was a Chinese scholar, painter and calligrapher during the Yuan dynasty. His rejection of the refined, gentle brushwork of his era in favor of the cruder style of the 8th century is considered to have brought about a revolution that created the modern Chinese landscape painting. There was also the vivid and detailed works of art by Qian Xuan — , who had served the Song court, and out of patriotism refused to serve the Mongols, instead turning to painting. He was also famous for reviving and reproducing a more Tang dynasty style of painting.

The later Yuan dynasty is characterized by the work of the so-called "Four Great Masters". The most notable of these was Huang Gongwang — whose cool and restrained landscapes were admired by contemporaries, and by the Chinese literati painters of later centuries. Another of great influence was Ni Zan — , who frequently arranged his compositions with a strong and distinct foreground and background, but left the middle-ground as an empty expanse. This scheme was frequently to be adopted by later Ming and Qing dynasty painters.

Chinese porcelain is made from a hard paste made of the clay kaolin and a feldspar called petuntse , which cements the vessel and seals any pores. China has become synonymous with high-quality porcelain. Most china pots comes from the city of Jingdezhen in China's Jiangxi province. Jingdezhen porcelain , under a variety of names, has been central to porcelain production in China since at least the Yuan dynasty. Under the Ming dynasty , Chinese culture bloomed.

Narrative painting, with a wider color range and a much busier composition than the Song paintings, was immensely popular during the time. Wen Zhengming — developed the style of the Wu school in Suzhou , which dominated Chinese painting during the 16th century. European culture began to make an impact on Chinese art during this period. The Jesuit priest Matteo Ricci visited Nanjing with many Western artworks, which were influential in showing different techniques of perspective and shading.

The early Qing dynasty developed in two main strands: The " Four Wangs ", including Wang Jian — and Wang Shimin — , were particularly renowned in the Orthodox school , and sought inspiration in recreating the past styles, especially the technical skills in brushstrokes and calligraphy of ancient masters. The younger Wang Yuanqi — ritualized the approach of engaging with and drawing inspiration from a work of an ancient master. His own works were often annotated with his theories of how his painting relates to the master's model.

The Individualist painters included Bada Shanren — and Shitao — They drew more from the revolutionary ideas of transcending the tradition to achieve an original individualistic styles; in this way they were more faithfully following the way of Dong Qichang than the Orthodox school who were his official direct followers. Painters outside of the literati-scholar and aristocratic traditions also gained renown, with some artists creating paintings to sell for money.

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These included Ma Quan late 17th—18th century , who depicted common flowers, birds, and insects that were not typical subject matter among scholars. Such painters were, however, not separated from formal schools of painting, but were usually well-versed in artistic styles and techniques. Ma Quan, for example, modelled her brushwork on Song dynasty examples. As the techniques of color printing were perfected, illustrated manuals on the art of painting began to be published.

Jieziyuan Huazhuan Manual of the Mustard Seed Garden , a five-volume work first published in , has been in use as a technical textbook for artists and students ever since. Chinese painting from by the Qing dynasty painter, Kun Can. Nianhua were a form of colored woodblock prints in China, depicting images for decoration during the Chinese New Year. In the 19th century Nianhua were used as news mediums. The Shanghai School is a very important Chinese school of traditional arts during the Qing dynasty and the 20th century.

The Shanghai School challenged and broke the literati tradition of Chinese art, while also paying technical homage to the ancient masters and improving on existing traditional techniques. Members of this school were themselves educated literati who had come to question their very status and the purpose of art, and had anticipated the impending modernization of Chinese society. In an era of rapid social change, works from the Shanghai School were widely innovative and diverse, and often contained thoughtful yet subtle social commentary.


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With the end of the last dynasty in China, the New Culture Movement began and defied all facets of traditionalism. Following was the Second Sino-Japanese War in particular. The Battle of Shanghai would leave the major cultural art center borderline to a humanitarian crisis. Western techniques of oil paintings began entering China in the 19th Century, becoming prevalent among Chinese artists and art students in the early 20th Century, coinciding with China's growing engagement with the West.

Through them, artistic movements such as Impression, Cubism , Fauvism , Post-impressionism grew and thrived in China, only halted by the Second World War and the birth of the People's Republic of China, when modernistic artistic styles were seen as being inconsistent with the prevailing political ideals. Nonetheless, the legacy of the close engagement with Western art in the early 20th Century endured. Oil paintings survived as a important medium in Chinese artistic scenes; traditional Chinese ink paintings were also changed as a result.

Portrait of Madame Liu , Li Tiefu oil on canvas. Ong Schan Tchow Chinese: Ong was one of the first few batches of Chinese scholars and artists who studied in France in the early 20th century. Western style oil painting was introduced to China by painters such as Xiao Tao Sheng. Another important influential artist in the s was Tai Ping Meijing who incorporated nature in all his art and mixed traditional Asian art with realism. Artists were heavily promoted if their art was presented in a manner that favored the government.

Vice versa, any clash with communist party beliefs would force artists to become farmers via "re-education" processes under the regime. The peak era of governmental control came during the Cultural Revolution. The most notable event was the Destruction of the Four Olds , which had major consequences for pottery, painting, literary art, architecture, and more. Artists were encouraged to employ socialist realism.

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Some Soviet Union socialist realism was imported without modification, and painters were assigned subjects and expected to mass-produce paintings. This regimen was considerably relaxed in and, after the Hundred Flowers Campaign of —57, traditional Chinese painting experienced a significant revival. For people that are nonartists, i believe its difficult to understand the depth to which artists invest themselves in their work, or often the degree to which it is a compulsion instead of a habit to create art. Yup,… not only that but having your best girl friend envolved in art can be truly inspiring,… for both of you.

This is true when we speak about magnets but it doesnt work that well with humans. The truth is that the friends you make, the people that you date etc tend to have more in common with you than not. Perhaps art, creativity is one aspect of the attraction. If you find that your better half is no artist you must have many other things in common other than art.

Things like sharing the same values, ideals, morals, work ethic, love for dogs, hobbies, etc, etc. Not all aspects of ones persona will match those of their mate, but most of them should for it to work. Also I find that there are many proffesions outside of art that involve a great deal of creativity.

I honestly think that most succesful people are creative and resourceful and find creative solutions for possible limitations…no matter what kind of job they are doing. He loves video and making movies and has a crazy creative mind.